Bruno Mars has always been known for his smooth vocals and catchy beats, and his hit song “Versace on the Floor” is no exception. The song, which was released in 2016, quickly became a fan favorite and made its way onto various music charts worldwide. But what many fans may not know is that “Versace on the Floor” has a sample from a classic R&B hit. In this blog post, we’ll take a closer look at what song “Versace on the Floor” is sampled from and how it influenced the creation of this popular tune.
The Sampled Song
The sample used in “Versace on the Floor” comes from a classic R&B slow jam, “Let’s Get It On” by Marvin Gaye. Released in 1973, “Let’s Get It On” was an instant hit and became one of Gaye’s most popular songs. The song is known for its seductive lyrics and smooth melody, making it a natural choice for a sample in a romantic ballad like “Versace on the Floor.”
Bruno Mars’ Inspiration
In an interview, Bruno Mars revealed that he was heavily influenced by the Philly soul bands of the 1970s, which included artists like The Stylistics and The Delfonics. These groups were known for their romantic lyrics and lush harmonies, which are evident in “Versace on the Floor.” Mars also cited Marvin Gaye’s “Sexual Healing” as another major influence for the song. Both of these sources of inspiration can be heard in the sensual lyrics and smooth melody of “Versace on the Floor.”
The Making of “Versace on the Floor”
When Bruno Mars set out to create “Versace on the Floor,” he knew he wanted to make a seductive and romantic ballad that would stand the test of time. Mars and his team started by listening to classic R&B songs like “Let’s Get It On” and “Sexual Healing,” studying their lyrics and melodies to understand what made them so timeless and popular. From there, they worked to create a sound that was both modern and nostalgic, with lush harmonies and smooth vocals that would transport listeners to a bygone era of love ballads.
The Success of “Versace on the Floor”
Released in 2016, “Versace on the Floor” quickly became a fan favorite and one of Bruno Mars’ most successful songs. The track landed in the top 40 on various music charts worldwide and has over 500 million views on YouTube. The song’s success can be attributed in part to its smooth and seductive sound, which is reminiscent of classic R&B slow jams like “Let’s Get It On.”
Conclusion
In conclusion, “Versace on the Floor” is a romantic ballad that was heavily influenced by classic R&B songs from the 1970s. The song’s sample, taken from Marvin Gaye’s “Let’s Get It On,” gives it an extra layer of nostalgia and sets the mood for its sensual lyrics. With its smooth vocals and lush harmonies, “Versace on the Floor” is a timeless love song that will continue to be beloved by fans for years to come.
FAQ
Is get on the floor sampled?
‘Get on the Dance Floor’ is a popular song by Rob Base & DJ E-Z Rock that was released in 1989. The catchy beat and lyrics of the song have made it a classic in the hip-hop world and it has been used in various forms of media like movies, TV shows, and advertisements. One question that may arise is whether the song is sampled from another piece of music.
The answer to this question is yes, ‘Get on the Dance Floor’ is indeed sampled from another song, namely ‘Shake Your Body (Down to the Ground)’ by The Jacksons. In fact, the opening riff of ‘Get on the Dance Floor’ is the same as that of ‘Shake Your Body (Down to the Ground),’ albeit with a hip-hop flavor added to it.
Sampling is a common practice in the world of music, where artists use parts of other songs to create new ones. In the case of ‘Get on the Dance Floor,’ the use of ‘Shake Your Body (Down to the Ground)’ is an integral part of the song and helps give it that familiar sound that many people love.
‘Get on the Dance Floor’ is a great example of how sampling can be used to create new songs while paying homage to other artists and their work. Its success over the years has proven that good music can stand the test of time, even if it’s built on the foundations of another song.
Who sampled Jennifer Lopez on the floor?
“On the Floor” is a famous pop song by Jennifer Lopez featuring Pitbull. The track has an upbeat tune and has been able to successfully dominate the pop music charts across the world. However, the song carries a rather unexpected sample in it. The song was built around a sample of a 1980s Bolivian melody entitled “Llorando Se Fue (Crying, He/She Left).”
The original track was written by two members of the Bolivian band Los Kjarkas, which was a popular band in the Andean region. The melody was first introduced to the world when it became a part of the Bolivian folk song titled “Llorando se fue.” The melody became famous in the 80s when it was lifted and used in Kaoma’s “Lambada.”
The melody has become a versatile musical phrase that had been rerendered in multiple languages and music genres. However, nobody would have thought that this piece of music would be reused in a mainstream pop song. Interestingly, the sample from “Llorando Se Fue” in “On the Floor” was initially produced for another song, and Jennifer Lopez was brought aboard only later.
“On the Floor” features the melody from “Llorando Se Fue” in a dance-pop and electro house music mix. The song itself was a huge hit, reaching the top spot on various charts worldwide, including Austria, Canada, Denmark, France, Hungary, Italy, Mexico, and many more.
It is not very much of a surprise that the song became mainstream as it merged two styles that were already popular in their respective genres and brought the two genres together to make a unique song. Hence, it is a classic example of a successful collaboration that has been able to capture the rhythm of two distinct cultures and form a modern-day chartbuster.
What song sounds like get on the floor?
If you are a fan of Jennifer Lopez’s music and you are looking for other songs that sound similar to her hit song “On the Floor,” then you might be interested in checking out some other dance-pop tracks that share elements of Latino pop and electronic dance music. One song that has a similar vibe to “On the Floor” is “Party O’Clock” by Kat DeLuna. The song features catchy hooks, a thumping beat, and Latin-infused rhythms that are similar to what you might hear in “On the Floor.”
Another song that shares some similarities with “On the Floor” is “Stereo Love” by Edward Maya and Vika Jigulina. While the song doesn’t have the same Latin pop influences as “On the Floor,” it does feature a prominent electronic dance beat with layered synth melodies and a catchy chorus. Both “Stereo Love” and “On the Floor” are great examples of dance-pop songs that are perfect for getting your groove on and enjoying a night out on the dance floor.
If you are looking for songs that sound like “Get on the Floor,” then you might want to give a listen to Kat DeLuna’s “Party O’Clock” and Edward Maya’s “Stereo Love.” Both of these songs share some common elements with “On the Floor,” such as an infectious beat, catchy hooks, and an upbeat vibe that will get you moving.
What is one of the most sampled songs?
When we talk about the most sampled songs of all time, there are a handful of tracks that come to mind. However, according to the folks over at WhoSampled, the honor of being the most sampled song goes to “Amen, Brother” by The Winstons.
Released in 1969, “Amen, Brother” is a six-minute track that was originally the B-side to the group’s single “Color Him Father.” What makes “Amen, Brother” so influential is a specific drum break that appears at 1:27 minutes into the song. This drum break is known as the “Amen Break” and consists of six seconds of drums and with a B-flat major chord, followed by three seconds of a cymbal crash. This 9-second section has been sampled, looped, and combined with other sounds to create numerous new tracks, both in hip-hop and other genres.
According to WhoSampled, “Amen, Brother” has been sampled approximately 6,005 times by artists across various genres, including hip-hop, rap, drum and bass, and even pop music. It has been used in tracks by big-name artists such as N.W.A., Oasis, and Skrillex, among others, making it one of the most influential and widely recognized songs in music history.
The “Amen Break” has become a staple in music production, with countless producers and musicians using it to create new tracks. Its impact on music has been so massive that it has become part of the fabric of popular music, influencing generations of artists and producers. Despite being a relatively obscure track, “Amen, Brother,” has had an enormous impact on contemporary music and continues to be revered as a classic.
Who has Nicki Minaj sampled?
Nicki Minaj is a well-known rap artist and she has been in the industry for over a decade, creating a lot of hit songs and collaborating with different artists. Throughout her career, she has been known to use samples in her music, which adds a unique touch to her tracks. One of her latest singles, “Red Ruby Da Sleeze,” is no exception, as it features a sample of Lumidee’s 2003 hit “Never Leave You (Uh Oooh, Uh Oooh).”
However, Lumidee is not the only artist that Nicki Minaj has sampled. In her track “Barbie Dreams,” she sampled the Notorious B.I.G.’s “Just Playing (Dreams),” while in “Chun-Li,” she sampled Wu-Tang Clan’s “C.R.E.A.M.” Other samples used in her music include Tracy Chapman’s “Baby Can I Hold You” in “Sorry” featuring Nas, and Soul for Real’s “Candy Rain” in “Bed” with Ariana Grande.
Aside from music, Minaj has also taken inspiration from popular culture in her songwriting, such as her references to Barbie dolls and the movie “Kill Bill” in her hit track “Chun-Li.” All of these samples and references add a unique flavor to her music and showcase her creativity as an artist.
Nicki Minaj has sampled a variety of songs and artists in her music throughout her career. These samples, along with references to popular culture, have contributed to her unique sound and style as a rapper. With her latest single “Red Ruby Da Sleeze” featuring a Lumidee sample, it’s clear that Nicki Minaj will continue to push creative boundaries in her music and incorporate samples into her tracks.
