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Who sings on songs on basement tapes?

The Basement Tapes is an album by Bob Dylan and The Band, recorded in a basement of a house known as Big Pink in West Saugerties, New York. The recordings were made in 1967, but the album was not released until 1975. The Basement Tapes is considered one of the most important recordings in rock music history.

The Cast of Characters

So, who sings on The Basement Tapes? The album features a mix of Bob Dylan’s vocals, as well as the voices of The Band’s members: Robbie Robertson, Levon Helm, Richard Manuel, Rick Danko, and Garth Hudson. The album’s tracklist consists of 24 songs, and most of them feature Dylan’s vocals.

However, there are a few songs where The Band members took the lead – “This Wheel’s on Fire” (sung by Rick Danko), “Long Distance Operator” (sung by Levon Helm), “Yazoo Street Scandal” (sung by Richard Manual), and “Tears of Rage” (sung by Manuel and Dylan) – to name a few.

The Significance of The Basement Tapes

The Basement tapes are important for several reasons. Not only do they represent a cultural shift in rock music, but they are also “a fascinating snapshot of American popular culture in a period of immense transition and turmoil,” as stated by Jim Beviglia, an American author, music writer and critic.

The Basement Tapes also served as a creative incubator for both Bob Dylan and The Band members. The songs they recorded together in the basement of Big Pink became a blueprint for several future albums, especially for The Band’s Music From Big Pink, which was released a year later.

Lost and Found

The Basement Tapes recordings were bootlegged for years before Columbia Records released an official version in 1975. The official version contained 24 of the 30 songs that were originally recorded during the sessions in the basement.

In 2014, an expanded version of the album was released, featuring over 100 recordings taken from the basement sessions. The box set was titled The Bootleg Series Vol. 11: The Basement Tapes Complete and contained every known recording made during the 1967 sessions. This release gave fans and collectors the full experience of what it might have been like to sit in on one of these legendary basement recording sessions.


The Basement Tapes is a unique and important album in rock music history. It showcases Bob Dylan and the members of The Band’s vocal talents and their ability to create classic music in an unorthodox setting. The recordings made in the basement of Big Pink represented a cultural shift in music, and the influence of the album on future artists and releases is apparent.

The Basement Tapes has stood the test of time, and with the release of the bootleg series in 2014, fans can now experience the true depth and range of the recordings made during those legendary sessions.


Who are the people on the basement tapes cover?

The basement tapes cover has been a mystery for many fans of The Band and Bob Dylan, who collaborated to record an album at a basement in Woodstock, New York, during the summer of 1967. The album was never intended to be released, but some of the songs made their way to the public through bootlegs. The cover of the album features an illustration of six people standing around a record player, with some of them wearing masks and costumes. So who are these people and what is the story behind their appearance on the iconic album cover?

The people on the cover are David Blue, Bob Neuwirth, Ed Anderson, William David “Charlie” Chin, and two unidentified women. David Blue was a singer-songwriter who had a close relationship with Bob Dylan and introduced him to many folk musicians in the early 1960s. Blue also appeared on Dylan’s album “Blood on the Tracks” and was a friend of The Band’s members. He is the person on the left of the record player, wearing a blue shirt and glasses.

Bob Neuwirth is another singer-songwriter who was part of Dylan’s circle in the 1960s and collaborated with The Band on their 1971 album “Cahoots”. He is standing next to David Blue, wearing a white T-shirt and holding a camera.

The man in the gorilla mask is William David “Charlie” Chin, who was a member of the band Cat Mother & The All Night Newsboys. The band opened for The Band on their first appearance at Fillmore East in 1969. Chin is the person behind the record player, holding a microphone.

The “man in drag” at the upper right of the cover is Ed Anderson, who was a recording engineer at the A&R Studios in New York City, where The Band and Dylan recorded some of their most iconic songs. Anderson is wearing a blonde wig and sunglasses and holding a cigarette.

The two women on the cover remain unidentified, but they are believed to be friends of the musicians who were present during the recording sessions. One of them is wearing a bear costume, while the other is wearing a Mexican wrestling mask.

The people on the basement tapes cover are a mix of musicians, recording engineers, and friends of The Band and Bob Dylan who were present during the recording sessions at a basement in Woodstock. Although their identities were a mystery for many years, their contribution to the history of rock music is undeniable. Their appearance on the iconic album cover is a testament to the creativity, spontaneity, and joy that characterized the recording sessions of one of the most legendary albums in rock history.

Who was the backing band for Bob Dylan and playing on the basement tapes?

During the 1960s, Bob Dylan was a prolific songwriter and musician, and his work had a significant impact on the folk and rock music scenes. During his 1965-1966 world tour, Dylan was famously backed by a rock group known as the Hawks, who would go on to become one of the most influential rock groups of all time: the Band. This group consisted of Rick Danko on bass and vocals, Levon Helm on drums and vocals, Garth Hudson on keyboards and saxophone, Robbie Robertson on lead guitar, and Richard Manuel on piano and vocals.

The Band’s collaboration with Dylan would lead to some of his most iconic recordings. However, in 1966, Dylan was injured in a motorcycle accident and was forced to take a break from touring and performing. During this period of convalescence, Dylan retreated to his home in the Woodstock area of upstate New York. There, he began recording sessions with the Hawks, who had since left Dylan’s touring band. These recording sessions would become known as the “Basement Tapes” and would eventually be released as an album in 1975.

The music on the Basement Tapes is a unique blend of Americana, folk, blues, and rock and roll. The Band’s influence is clear, with their tight harmonies and instrumental virtuosity. However, the album also showcases Dylan’s songwriting at its most raw and unpolished. The songs featured on the album are often whimsical and surreal, with lyrics that are at times cryptic and inscrutable.

Despite its rough edges, the Basement Tapes is widely regarded as a classic album, and its influence can still be heard in contemporary music today. The sessions were a defining moment in rock and roll history, and the Band’s contributions to the project solidified their reputation as one of the greatest bands of all time.

Who is the love of Bob Dylan’s life?

Bob Dylan is a legendary American singer-songwriter who is known for his meaningful and poetic lyrics. He has been in the music industry for over six decades and has released countless songs that have become classics. One of the most intriguing aspects of Dylan’s life is his love life. He has had several relationships, but the love of his life was Susan Elizabeth Rotolo, or Suze, as she was known.

Suze was born on November 20, 1943, in Brooklyn, New York. She was an artist and a political activist. In 1961, when Suze was only 17 years old, she met Bob Dylan. At the time, Dylan was also young and relatively unknown, but he was already making waves in the folk music scene. The two quickly fell in love, and Suze became Dylan’s muse.

During their three-year relationship, Suze had a significant influence on Dylan’s art. She inspired several of his songs, including “Don’t Think Twice, It’s All Right,” “Boots of Spanish Leather,” and “One Too Many Mornings.” Many of these songs are now considered classics and have been covered by countless artists over the years.

Despite their strong connection, Dylan and Suze’s relationship was not without its challenges. Dylan was constantly touring and had a growing fan base, which put a strain on their relationship. In addition, Suze’s parents did not approve of their relationship, which caused tension between the couple.

In 1964, Dylan and Suze broke up, and Dylan went on to marry Sara Lownds, with whom he had four children. However, despite this, Dylan has always acknowledged Suze’s influence on his life and art. In his memoir “Chronicles,” he describes Suze as “a spirit haunting my songs who has stayed with me to this day.”

Suze went on to have a successful career as an artist and continued to be politically active throughout her life. Sadly, she passed away on February 25, 2011, at the age of 67, after a long battle with lung cancer. However, her legacy lives on as the love of Dylan’s life and the inspiration for some of his most iconic works.

Who is the woman on the cover of Bob Dylan’s bringing it all back home?

Bob Dylan’s ‘Bringing It All Back Home’ has become one of the most iconic albums in the history of popular music. Featured on the cover of the album is a woman sitting in a luxurious red chair wearing a black sweater and a seductive expression. For many years, fans have been curious about the identity of this mysterious woman.

In fact, the woman on the cover is Sally Grossman, the wife of Bob Dylan’s manager, Albert Grossman. The photo was taken at their home in Woodstock, New York. Dylan and the Grossmans had a close relationship, and he was a frequent visitor to their home.

According to photographer Daniel Kramer, who took the photo, Dylan specifically requested that Sally Grossman appear on the cover. In fact, Dylan himself is also in the photo, although he is barely visible in the background, sitting behind a window with a cat on his lap.

The photo shoot took place in 1965, and it remains one of the most iconic album covers of all time. The image has been parodied and imitated countless times, and it has become a cultural touchstone that is instantly recognizable to music fans around the world.

As for Sally Grossman, she went on to become an important figure in the Woodstock music scene, hosting many legendary parties and concerts at her home. Albert Grossman passed away in 1986, but Sally continued to be involved in the music industry until her death in 2021.

The woman on the cover of Bob Dylan’s ‘Bringing It All Back Home’ is Sally Grossman, the wife of Dylan’s manager and a prominent figure in the Woodstock music scene. The iconic photo remains a symbol of the 1960s and a testament to the enduring legacy of one of the greatest albums of all time.

What did Leonard Cohen think of Bob Dylan?

Leonard Cohen and Bob Dylan are two of the most influential and prolific songwriters of the 20th century. Both artists have a significant and lasting impact on the music industry, with their music being celebrated and admired by music lovers all over the world. Consequently, it’s natural to wonder what Cohen thought of Dylan.

Throughout their careers, Leonard Cohen and Bob Dylan have had a complex relationship. While they were contemporaries and shared a stage on numerous occasions, they were never quite friends. They both viewed each other with a mix of admiration and competition. In fact, they are often compared to each other due to their similar styles and lyrical content.

In 2016, when Bob Dylan was announced as the recipient of the Nobel Prize in Literature, which recognizes his contribution to the literary world, Cohen was asked for his thoughts on Dylan’s achievement. Cohen responded with a surprising comment that caught the media’s attention. He stated, “It’s like pinning a medal on Mount Everest for being the highest mountain.”

By this statement, it seems Cohen was in awe of Dylan’s literary prowess. The metaphor also suggests that he believed Dylan’s talent was so immense that awarding him the Nobel Prize was almost unnecessary. Cohen’s comment was widely seen as both respectful and playful, implying that he held Dylan in high regard despite their competitive relationship.

While Leonard Cohen and Bob Dylan had a somewhat competitive relationship, it is clear that Cohen respected and admired Dylan’s talents. Cohen’s comment about Dylan’s Nobel Prize has become a famous remark in the music industry, and it shows that even the greatest of artists can appreciate and acknowledge the achievements of their peers.

What was the accusation against Bob Dylan?

In 2021, a woman identified as “Jane Doe” filed a lawsuit against Bob Dylan accusing him of sexually abusing her when she was just 12 years old. According to the lawsuit, Dylan allegedly groomed the victim for a period of several weeks before engaging in sexual acts with her. The abuse is said to have occurred during the folk singer’s 1965 tour of the United States.

The accuser claimed that she was introduced to Dylan by her father, who was a musician and had connections to the industry. She alleges that Dylan took advantage of her young age and used his power and influence to perpetrate the abuse. The lawsuit also claimed that Dylan threatened the victim and told her that she would face dire consequences if she spoke out about the abuse.

Dylan’s legal team vehemently denied the accusations, calling them “categorically false.” They also accused the accuser of fabricating the allegations in order to extort money from Dylan. In response, the accuser’s legal team argued that their client had no financial motive and was seeking justice for the harm that was done to her.

The case took a dramatic turn when Dylan’s legal team accused the accuser of destroying evidence. They claimed that the accuser had deliberately deleted files from her computer that could have been used to support her case. The accuser’s legal team denied the accusation, stating that any deleted files were simply due to routine computer maintenance.

Shortly after the evidence tampering allegations surfaced, the accuser decided to drop the lawsuit. It is unclear whether this was due to the evidence tampering allegations, or for other reasons. Regardless, the accusations against Bob Dylan have raised serious questions about the prevalence of sexual abuse in the entertainment industry, and the extent to which powerful figures have used their influence to exploit vulnerable victims.

Did Woody Guthrie know Bob Dylan?

Woody Guthrie, the iconic American folk singer, and songwriter who wrote many of the beloved songs that helped define a generation of Americans during the Great Depression, had a profound impact on the folk revival of the 1960s. His influence can be heard in the work of many musicians, including the young Bob Dylan.

In the late 1950s, Woody Guthrie was living in a hospital in New Jersey, suffering from the debilitating effects of Huntington’s disease. Despite his illness, Guthrie continued to write and perform music, inspiring a new generation of folk musicians.

One of those young musicians was Bob Dylan, who had recently moved to New York City and was just starting to make a name for himself as a songwriter. Dylan was deeply influenced by Guthrie’s music and was eager to meet his hero.

In early 1961, Dylan had the opportunity to meet Guthrie, thanks to an admirer named Bob Gleason, who would pick Woody up on the weekends and take him to East Orange, New Jersey, where the singer would receive visitors. It was there that Dylan came to meet Guthrie, and the two quickly hit it off.

According to many accounts, Guthrie was impressed with Dylan’s talent and recognized the young musician’s potential. He reportedly told his wife that Dylan was the one who would “carry the torch” of his music after he was gone.

Dylan, for his part, was deeply influenced by Guthrie’s music and style. He saw the older musician as a kind of mentor and role model, and he adopted many of Guthrie’s techniques and themes in his own work. In particular, Dylan was drawn to Guthrie’s emphasis on storytelling and his commitment to social justice.

Over the years, Dylan and Guthrie remained friends, with Dylan paying tribute to his mentor in various ways. In 1963, Dylan wrote a song called “Song to Woody,” which paid homage to Guthrie’s influence on his own music. He also covered many of Guthrie’s songs over the years and helped to keep his legacy alive.

Woody Guthrie knew Bob Dylan as they met in East Orange, New Jersey in early 1961. The two musicians quickly hit it off, and Dylan became deeply influenced by Guthrie’s music and style. They remained friends over the years, and Dylan paid tribute to his mentor in various ways.